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Beethoven:
Choral Fantasy
& Symphony No. 9
The Evolution of Beethoven’s Choral Symphony
A study of Beethoven’s only two large-scale secular works for chorus and orchestra, examining the relationship between the experimental Choral Fantasy, Op. 80, and the monumental Ninth Symphony, Op. 125.
Did Choral Fantasy serve as Beethoven’s prototype for the choral finale of the Ninth Symphony?
Symphony No. 9 in D minor, Op. 125
MOVEMENT I
Sonata Form
EXPOSITION
First Subject
Shimmering Strings → Primordial Murmurings → Surprising Key Change →
Second Subject
Opening Cantabile → Stormy Scales → Contrasting Phrases → Key Change →
DEVELOPMENT
Reworking of the Main Theme → Triple Fugue → Beautiful Cantabile →
Minor Reworking of the Main Theme of the Second Subject →
Transition to the Recapitulation →
RECAPITULATION
Second Subject Shift to Minor →
CODA
New Theme
MOVEMENT II
Scherzo Form (Scherzo → Trio → Scherzo)
INTRODUCTION
Reoccurring Rhythmic Figure →
EXPOSITION
Main Theme in Tutti →
RECAPITULATION
Transition →





