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Clay Whittington

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Beethoven:
Choral Fantasy
& Symphony No. 9

The Evolution of Beethoven’s Choral Symphony

A study of Beethoven’s only two large-scale secular works for chorus and orchestra, examining the relationship between the experimental Choral Fantasy, Op. 80, and the monumental Ninth Symphony, Op. 125.


Did Choral Fantasy serve as Beethoven’s prototype for the choral finale of the Ninth Symphony?


Symphony No. 9 in D minor, Op. 125

MOVEMENT I
Sonata Form

EXPOSITION

First Subject
Shimmering Strings → Primordial Murmurings → Surprising Key Change →

Second Subject
Opening Cantabile → Stormy Scales → Contrasting Phrases → Key Change →

DEVELOPMENT

Reworking of the Main Theme → Triple Fugue → Beautiful Cantabile →
Minor Reworking of the Main Theme of the Second Subject →
Transition to the Recapitulation →

RECAPITULATION

Second Subject Shift to Minor →

CODA

New Theme


MOVEMENT II
Scherzo Form (Scherzo → Trio → Scherzo)

INTRODUCTION

Reoccurring Rhythmic Figure →

EXPOSITION

Main Theme in Tutti →

RECAPITULATION

Transition →

MOVEMENT III
Set of Variations on Two Alternating Themes

MOVEMENT IV
Choral Finale


Recommended Reading

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